Suggested visions to correct some Arabic musical terms and concepts Used in the academic reality, according to their historical Origins (Critical study

 





Discusses the current problematic term in Arabic music, in terms of different significance in the current academic reality; it assets in the historical theory of the Arab music.
Then search the current to aims to shed light on the common of these terms, and try to provide insights proposed to correct what has been achieved from these terms, according to the assets of historical theory of Arabic music, as a science based on scientific mathematical accurate and physical foundations, and commensurate with the contemporary musical thought.
It includes research on the introduction, and then view the problem, objectives, and its importance, and Frodah, method, and appointed, and tools, and its limits; and terminology.
Then the theoretical framework: deals with the profile stages of the historical development of Arabic music, as well as,
Frame Analysis: The intake show a number of terms and concepts of music that are not consistent with the origins correct theory, explain and explain the reasons for the invalidity of these terms, in the light of historical theoretical origins of this science at the Arabs in the past, and to strengthen that display images of models of musical manuscripts, which is fraught with scientific evidence that prove the truth of what we say.
And then submit proposals for correction or amendment, in terms of concept or Mil significance, whichever is more appropriate and closer to the origin emanating from it, and commensurate with the contemporary musical thought.
Then concluded with research findings and recommendations, and the sources relied upon by the researcher to complete her research.